LINTO
Stereophile, US
Jun 1998
"But with the Linto, everything fit the performance perfectly. Differences between quiet and quieter were easy to follow, down to the silence itself, and there never seemed to be any limit to how huge a group could sound - every time a new musician entered, no matter how big the soundstage had been, it got bigger. This freedom from dynamic limitation is one of the things that distinguishes live music from recorded sound, and products that have more of it tend to sound more real. The Linn has it in spades."
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